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Caert-Thresoor, a publication of the Barent Langenes Foundation, is the only Dutch journal devoted entirely to the history of cartography. The articles cover various aspects of the history of cartography, such as city maps, military cartography, cartographers, engravers and publishers, art historical developments on maps, etc. It also features contributions on Dutch map collections and special acquisitions. Readers of Caert-Thresoor are informed about new literature and facsimiles and exhibitions in every issue.
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Imago Mundi is a fully-refereed, English-language journal founded in 1935. It is the only international, interdisciplinary and scholarly journal solely devoted to the study of early maps in all their aspects. Full-length articles, with abstracts in English, French, German and Spanish, deal with the history and interpretation of non-current maps and mapmaking in any part of the world. Imago Mundi also publishes shorter articles that communicate significant new findings or new opinions. All articles are fully illustrated.
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The IMCoS Journal is a quarterly publication. It includes a wide range articles on the history of cartography addressing Western, Asian and Arabic mapping practices; its scope is designed to interest our worldwide membership.
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The Portolan is the journal of the Washington Map Society; it furthers the purpose of the Society ‘to support and promote map collecting, cartography and the study of cartographic history.’ The Portolan, the largest and most-widely distributed publication of its kind in the Americas, is issued three times per year, in the Spring/Summer, the Fall and Winter.
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As part of its makeover, the SteM in Sint-Niklaas, is changing its name to MAP – Musea Aan het Park. The museum manages the Mercator Museum, which became MAP-Mercator, for a reopening in December 2025. More information here.

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The Trustees of Imago Mundi CIO announce that the eleventh Imago Mundi Prize has been awarded to Patrick Ellis for his article ‘“Maps to the Homes of the Stars”: California, Celebrity, and Cartography in the Twentieth Century’. Imago Mundi Vol. 76, Part 2: 167–189.
Read the article here (free or charge).

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